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The Remington Warm-Up Studies

Emory Remington Eastman School of Music Trombone Professor

Accura Music publishes the famous daily routines developed by The Chief, Emory Remington at the Eastman School of Music. The Warm-Up Studies are available in two different editions, manuscript and engraved. 

AM 282     The Remington Warm-Up Studies by Donald Hunsberger - Second Edition
   
Revised and expanded, the second edition of The Remington Warm-Ups provides even more examples, exercises, and useful information than the first edition published in 1980, which is recognized as an essential pedagogical trombone text. This annotated collection of the famous daily routine developed by Emory Remington, The Chief, includes 64 of the studies used to train some of the world’s finest trombonists. Donald Hunsberger also includes the text of interviews he conducted with The Chief before his death in 1971. In those interviews, Remington describes his singing style, the correct way to tongue, a concept of sound, flexibility, a legato approach, security in the high register, and relaxation.
     70 pages     9" x 12"     Engraved

AM 111     The Remington Warm-Up Studies
     The original exercises, in manuscript form, of the daily routine developed by The Chief. Emory B. Remington.
     12 pages     9" x 12"     Manuscript

AM 113     The Remington Warm-Up Studies by Donald Hunsberger - First Edition
     An annotated collection of the famous daily routine developed by 
The Chief, Emory B. Remington. 63 of the studies used to train some of the world's finest trombonists. Dr. Hunsberger also includes the text of interviews he conducted with The Chief before his death in 1971. Remington talks about his singing style, the correct way to tongue, a concept of sound, flexibility, a legato approach, security in the high register, and relaxation.
     64 pages     9" x 12"     Engraved
     Available while supplies last.

 

"Mr. Remington was famed throughout the world as the man who made trombones "sing." His students could be recognized by the production of a trombone tone that was smooth and rich and molded on the human voice..."
-- The New York Times

"...a master trombone teacher who over the last 50 years has trained 25 to 50 percent of the trombonists in America's symphony orchestras."
--The New York Times